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QUOTE NUMBER : QUOTE
- 13502 : Now it's your turn to scream
- 13503 : I can see why Tori Spelling and David Schwimmer didn't return
- 13504 : 1) He's killing in the order they die in the script. 2) Well who dies next in the script? 3) You do. 4) I die in Stab 3!
- 13505 : You can't kill me, I'm Gail Weathers. I'm the killer in Stab3.
- 13510 : 1. What do you know about TRILOGIES? 2. All I know is that in the THIRD one, ALL BETS ARE OFF.
- 13511 : The whole shower thing's been done: Vertigo? Hello?
- 13512 : The whole shower thing's been done: Vertigo? Hello?
- 13562 : Sid: Detective, what's your favorite scary movie? Detective Kinkade: My life. Sid: Mine too...
- 13622 : Sid:Detective, what's your favorite scary movie? Detective:My life. Sid:Mine too...
- 13623 : Do you know anything about trilogies? All bets are off.
- 13749 : Jennifer- Oh, well I'm sorry the whole 60 minutes thing didn't turn out, but Total Entertainment's a good fall back. Gale- Oh, I'm sorry the whole Brad Pitt thing didn't turn out either, but being single is a good fall back.
- 13750 : Jennifer- Oh, well I'm sorry the whole 60 minutes thing didn't turn out, but Total Entertainment's a good fall back. Gale- Oh, I'm sorry the whole Brad Pitt thing didn't turn out either, but being single, that's a good fall back.
- 13818 : Who does he play? Uhhhh... He plays you? *laughs*
- 13897 : What's your name? Candy Is that like Candy cane, or candy apple?
- 13914 : The question isn't WHERE AM I? anymore Sidney!!! it's WHO AM I?!!!
- 13915 : WELCOME TO THE FINAL ACT!!!!
- 13937 : Sid: That's the point, psycho's can't kill what they can't find
- 13938 : Sid: That's the point, psycho's can't kill what they can't find
- 14044 : He was making a movie called Stab. He was stabbed.
- 14045 : He was making a movie called Stab. He was stabbed.
- 14071 : head, head, head, head. WHAT?! Shoot him in the head! Oh, thanks!
- 14675 : 1. Is it in your memory? 2. Thinks 1. PHONE memory!
- 19824 : What's the matter? What are you staring at? Don't you reamember your MOTHER?
- 19825 : What's the matter? What are you staring at? Don't you reamember your MOTHER?
- 19826 : What's the matter? What are you staring at? Don't you reamember your MOTHER?
- 19846 : 1. Where is he? 2. I don't know He's Right there!
- 20556 : Paul, fifteen minutes I'm leaving my legacy. Fifteen minutes Paul, damn! Anyway, the reason I'm here is to help you so that my death will not be in vain. That my lifes work will help save some other poor soul from getting mutilated. If this killer does come back and he's for real there are a few things that you gotta remember. Is this simply another sequel? Well if it is then the same rules apply. But here's a critical thing, if you find yourself dealing with an unexpected back story, and a preponderous of exposition then the sequel rules do not apply. Because you are not dealing with a sequel your dealing with the concluding chapter of a triliogy. That's right it's a rarity in the horror field but it does exsist. And it's a force to be reconened with. Because true triliogys are all about going back to the beginning and descovering something that wasn't true from the get go. Godfather, Jedi, all revealed something that we thought was true that wasn't true. So if it is a triliogy you are dealing with here are some super triliogy rules. One you've got a killer who's gonna be super human. Stabbing him won't work, shooting him won't work. Basically in the third one you got to cryogenically freeze his head, decapatate him, or blow him up. Number two anyone including the main character can die, this means you Sid. I'm sorry but its the final chapter. It can be fucking resivour dogs by time this things through. Number three, the past will come back and bite you in the ass. Whatever you think you know about the past, forget it. The past is not at rest, any sins you've committed in the past are about to break out and destroy you. So in closing I'm going to say, good luck, Godspeed, and for some of you, I'll see you soon. Cause the rules say some of you ain't gonna make it. I didn't, not if your watching this tape
- 21873 : 1) When its a threat, you'll know it 2) is that a threat?
- 22522 : You have made millions off the story of her murder. You're obssessed with her! And you're obssessed with her DAUGHTER!!!
- 22523 : You have made millions off the story of her murder. You're obssessed with her! And you're obssessed with her DAUGHTER!!!
- 22524 : You have made millions off the story of her murder. You're obssessed with her! And you're obssessed with her DAUGHTER!!!
- 22529 : you want me mother fucker? come and get me! - Sidney
- 22530 : you want me mother fucker? come and get me! - Sidney
- 22669 : "Well if I thought like a homicidal maniac then I would know how a homicidal maniac thinks!"-Dewey
'Two for the Road' is a movie that juxtaposes present and past events in the relationship of a couple. Filmed in a non-linear fashion, this movie starts in the present and flashes back to past events dwelling on how the couple first met on a ferry crossing, their whirlwind romance and marriage, fading passions and extra-marital affairs; and finally to their return to each other’s arms.
Were Mark and Joanna fated to meet and to fall in love given the numerous chance meetings they had while on the road?
Built as if on a series of short stories that span a period of 12 years, the movie pieces the events that the protagonists, Mark and Joanna Wallace, played here by Albert Finney and Audrey Heburn, undergo and the issues they have to face not only in their own fragile relationship with each other but also with other characters such as Mark’s ex-girlfriend, Cathy, her husband and their daughter, Ruthie. Their opportune meeting with the wealthy Maurice Dalbret and his wife Francoise on the road when Mark’ car developed exhaust problems, was to add more confusion into their lives.
In the ups and downs of their relationship, Mark and Joanna had separate affairs outside of their bedroom. Mark had a fling with another motorist on his road journey which turned out to be just a harmless affair. Joanna had and affair with David, Francoise's brother. That appeared to be more serious. However, as their affair was getting more serious, Joanna realizes in time the goodness and sanctity of her marriage to Mark and she rushes back into his open arms. Back together again, on a stronger emotional footing this time, the two protagonists took to the road and exit retrospective and nostalgic France into sunny Italy, signaling a move beyond the past into the prospects of a brighter future.
This Stanley Donen movie dwells on the emotional issues that can confront couples in uncertain times. Their fears and their insecurities are given central focus here. The actions and reactions of both Mark and Joanna to each other have been well portrayed throughout the movie. At the end of the movie, the viewer will be given the opportunity to judge for himself whether the actions of the Wallaces have been right and true or were they mislead by mere circumstances and perceptions to think and do otherwise.
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